夜晚
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*的他处

During a hot summe^;r ?in Quebec’s countrys.?:ide, a recently settl^ed co*u=:ple st(ruggles. Ma?rie ][((35)`[, a sound art%ist i].\n lac-$;k of i`n(!spiration doubts her @ relationship with her partn#er. Th^:e arriva#l of Noée ,[ (25), a youn+g French tra-ve\ler who mo)+% ?urn s her f=!$,at/=-her, will de-)stabi[[[lise the +:st]atus quo and (tr@ou(bl-e their n; ei-:;ghbour Yan (30), a)/ solita[
ry farmer, by aw=@ akening $.new\%* d;:esires. In M( ontreal, Eva (15), a  teenage Filipina who re,cently /.moved_ to =!Ca nada -, trie[s to find +,new r^_o`
ots! in th,*e city. S.]+ inc-+e^%; her] arriv`?al,^ + ;she_* suffe$rs  from in.()s% omnia, /*/often interrup\(ted b@y strange d)rea(ms of her #.hometown in t)$ he  \Philippines 
.%=  Jeanne (25 )) is having trou@ bl-e finishing he+``;r t`)hesis on the` ?work of M,arie, the artist in the countryside. As Eva tries to
. ancho;r herself, J^+.eann`e pla!#?ns to l eave \!everyth$ing. ]Th[=e Splendour +of Life is a +s )`ens:*%+ual$/! film tha[t exp]]+lo?-res how we re;^late to each other^% in a=\ chan =ging world. that tran):scends us $- an in,vitat.io#_n to live /=t*=o th[_e fulles(t.