等待(+*.方舟HD中字
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等待(+*.方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

年份1985
地区其它
语言其它
导演皮奥特尔·舒尔金

[剧情简介]

Se!!t in an[+(^ )underg?rou,nd dung e? on in/habited by bun/dled, rag-.^ge? =d huma n %#be( i;n%.gs, a f]te`/r : @`the+) nucl`ear ho_$lo.caus--*t. T%(he_ . story fol?;lows the wan )derings o(% f a hero through the situat ion s o:`f sur+,vival.-( P- eople^\ wa?*\i#$t fo#!r the Ar? )k to arrive and rescue them wh(.ile their h; abitat falls apart.  Delving^ ; dee\[%^p into t.he dusty and long aba$`ndonded vaults of b-c]ine^,?\ma in  s/ea ^rch of lost gems always le*aves^# m! + ;e with [;+a$ bittersweet\@/ taste./  On on#@e#- hand the discover-%[y [!of unexpecte$))d gems where @,no one would think them po_s+sible i?``s a_ rewarding ]/ ex*@!perience. On the(-+ othe]r hand tho:ugh it^ mak?es $_!_.one *wond.er how ma??ny of the!se remarkable low-budg:. et oddities,) personal love aff[:airs of directors never!, qu:ite:\ famou,s and n[ow al/-l but forgotten, have almost forever slipped from memory  n any cas+ %[e w(/ha=_t we have* her*/]e is a+#  littl.-$]e pos,t- apo[ calyptic gem from Po#lan d t[hat is r =ea;% lly:! better th;an it ha.(s any right to.: The dystopian n[;?ear future of O-BI,; O-BA finds a /=group of su)?:r% =vivors of the nu` @cl+e+#.ar wa%r t)hat rava[ ged the Earth inh``abitin;\g [an underw%(orld concrete b%un;##@ke,r and biding their time as they wait for the mysterious Ark, an air s][hip _of some kind that .^ will come ]:and save them. The Ark p% *(rov\es( to be an elabo/r/ate hoax, caref^]#ully de `signed to gi /ve $:+;h=!ope to the mal.nourished and _`d??e*sp(erate de;/ \nizens of the bunker,]=\ while in %the meant ime` _the dome tha!?t separat*+^es thei r mis.,(e^,r^able exis/te-+nce from the *nucl$ear wi# nter :outside is slowly caving in.  What first striked (,#m\e!], about][. , \the movie is the desi?`gn of the /bunk!;er an-d #)#the+ ,\ dep\;ictio/@:n of @,t+he s urv$,+ivo(%r`%s. The su rvivor@[s are:@ gaunt,/, /filthy  and+(@ terribl*$^e*% ?-looking penit$:e^nts $ , [#dress ed in rag^s and aimlessly wan@deri=$ng the neon-lit .\halls o+*[f t]#he bunke-$ r ?like automatons. T@he bunker@[ :@is a rundown , seedy p#[!.lace,#). +with bright ne=. on l+ights /peeri][ng fr =om (_\ all`^^ sides like( th:e# eyes of malig=nant beasts.  On one han,d it  /i-s a+ slightly 80's %;dep#*iction of ^:,]t**he dystop;^ian future *($b,/$u\t th@ -e %?m\ovie  nev?;:;er stoops do]wn to -MAD MA$`X cheese.[ !% +Instead it c##ombines biting *_political, sati_- re with the bleak outl;,ook of a w^orld with ; no fut/ure, black c@ome?dy: with) ba?(?rbs o(%n +?_apa thy., religion and power. The survivo\; rs, fo:r examp) (le, ar e fe#d* ;-some  kind of flo,u! r dr$op.`ping from a tube that hove %rs in the air) -,]_ la=ter o`n we%@ discover the food\ sup erv.isor uses ].;books and th `e# Bible itself+;\ as :?f_[//ill@er for. t#[h\;is meagre meal.\. .=There are man[y %.such short (\symbo?lic^ t(ouc)hes-*\, perhaps n$ot life-chan-!g/=!ing ]or faith-r/=e(stori%]+#n^g?=, yet pl ayful, clever and ins:pired.  One )!thing  (is +for# sure ; O-BI, =/O-BA is not y^#our _run-of-the-`)mill sci-fi (@sch\;`lo.ck.  It overcomes its mode: st bud$get with  cre//ativity and has ge;nu-ine artistic @+as:pirations both:\* from a writing% ,# a%nd di(recting per/spective. My opinion i\s that(;; it sh;\ou%[ld h$ave be(/!^en filmed in black and white inst,,ead of @?colour  thou^gh. T=+=@he](]! directo;r u;ses atmosp heri,+c light !!and shadow to great effect  a:@nd#. it wo:uld have r_ egistered eve(@n [!better (in stark black a,`nd white. T$ h*e blue-green ne on on the =^/[o`=the,?! r hand o+uts%tay#s its welcome after* a while. Just a min or  ,gr\ipe :in an^^) ot??herwise solid _ b-movie (;%with it\s hea\*?rt+,*) set in a.#ll the rig-ht p;* laces.  [Imagi*#ne =a less bleak THE *-;)R)O@_AD (Cormac \$ McCarthy?/) being inj*)ecte d +with th/=e sati#r[?e[`. and humou,:r of DR.STRANGELOVE and you'_=+/r;$e getting there. See it if you ca:$n f)ind ,it.